References for «”Occupation: Composer and Writer”: A Translator As Well» by Vincent Kling

REFERENCES for «”Occupation: Composer and Writer”: A Translator As Well»

by Vincent Kling


This page contains the list of works cited in Vincent Kling’s essay, “Occupation: Composer and Writer”: A Translator As Well.”

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Image: Ernst Krenek in 1924 (© Ernst Krenek Institut)


Geiger, Friedrich, ed. Von Jonny zu Jeremia: Spuren der Vertreibung im Werk Ernst Kreneks. Saarbrücken: Pfau, 2001.

Henke, Matthias. Curator, Exhibit “One-Man History of Twentieth-Century Music.” https://www.krenek.at/forum

Huang, May. “On Sestinas and Literary Translation.” https://www.wordswithoutborders.org/dispatches/article/on-sestinas-and-literary-translation-may-huang Words without Borders. February 2021.

Knessl, Lothar. “Ernst Krenek: Reisebuch aus den österreichischen Alpen. https://kammermusikkammer.blogspot.com/2018/02/ernst-krenek-reisebuch-aus-den.html

Krenek, Ernst. “Extents and Limits of Serial Techniques. Musical Quarterly 46, 2 (1960), 210-232.

Krenek, Ernst. “Why ‘Pallas Athena Weeps.’” In Krenek, Exploring Music. Trans. Margaret Shenfield and Geoffrey Skelton. New York: October House, 1966. 195-210.

Krenek, Ernst. Die drei Mäntel des Anton K. / The Three Overcoats of Anton K. Ed. and preface by Matthias Henke. Translation of preface, editorial remarks, and photo captions by Ada St. Laurent. Hürth bei Köln: Edition Memoria, 2020.

Krenek, Ernst. Im Atem der Zeit: Erinnerungen an die Moderne. Trans. from English Friedrich Saathen, rev. trans. Sabine Schulte. Hamburg: Hoffmann und Campe, 1998.

Krenek, Ernst. In der Zeiten Zwiespalt: Schriften eines ubekannten Bekannten. Ed. Martina Riegler, Marie-Therese Rudolph, and Florian Schönwiese. Vienna: Braumüller, 2012.

Krenek, Ernst. Sestina for Voice and Instrumental Ensemble and Lamentatio Jeremiæ Prophetæ. Fromm Music Foundation. Twentieth Century Composers Series. Sony CD compilation, 2020. ISBN 19439715642. CD 5.

Kurt Weill Foundation. https://www.kwf.org/pages/ww-threepenny-opera-blitzstein.html

Lahiri, Jhumpa. “Where I Find Myself: On Self-Translation.” Words without Borders. April 2021. https://www.wordswithoutborders.org/article/april-2021-where-i-find-myself-on-self-translation-jhumpa-lahiri?src=twitter

Mager, Don. “The Krenek Sestinas.” https://www.eclectica.org/v2n2/mager_krenek_intro.html.

Maurer Zenck, Claudia. “Der zauberhafte, aber schwierige Beruf des Opernschreibens”: Das Musiktheater Ernst Kreneks. Schlingen: Argus, 2006.

Mendelson, Edward. Early Auden, Later Auden: A Critical Biography. Princeton: Princeton UP, 2017.

NAMM (National Association of Music Merchants). Oral Histories. Interview with Gladys Krenek, March 25, 2010. https://www.namm.org/library/oral-history/gladys-krenek

ORT. http://holocaustmusic.ort.org/politics-and-propaganda/third-reich/entartete-musik/.

Perle, George. “Krenek.” The Musical Quarterly, 77, 1 (Spring 1993), 145-153.

Rauchbauer, Martin and Monika Wittmann. “‘Mordio – Feurio – Dieblo’: Hilde Spiels Leistung als Übersetzerin englischer Dramatik.” Profile: Magazin des Österreichischen Literaturarchivs 2.3 (1999). 111–124.

Sammons, Jeffrey L.: Kuno Francke’s Edition of The German Classics (1913-1915): A Critical and Historical Overview. New Directions in German-American Studies. Werner Sollors, ed. Vol. 6. New York: Peter Lang, 2009. 71.

Saunders, George. A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Reading, Writing, and Life. New York: Random House, 2021.

Stewart, John L. Ernst Krenek: The Man and His Music. Berkeley and Los Angeles: U California Press, 1991.

Taruskin, Richard. Music in the Late Twentieth Century. The Oxford History of Western Music, vol. 5. Oxford and New York: Oxford UP, 2010.

Tregear, Peter. Ernst Krenek and the Politics of Musical Style. Lanham, MD: Scarecrow Press, 2013.

Unterberger, Rebecca. Zwischen den Kriegen, zwischen den Künsten: Ernst Krenek—“Beruf: Komponist und Schriftsteller. Heidelberg: Winter, 2020.

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